Stopping shopping for Lent

Jeremy, from our Hallam volunteer centre, has never considered himself a ‘shopaholic’. But a shiny new camera lens and a letter from the bank led him to wonder – is there more he could be doing to fight back against the culture of consumption?

I had a shock a few weeks back. For once it wasn’t the emptiness of my bank account, though that was the catalyst. Instead, I was surprised, and a little dismayed, by my powerful attachment to possessions.

A vulture in flight photographed from below by Jeremy Cain
One of Jeremy’s photos – he calls this one ‘a vulture hovering over my bank account’

Let me explain. I’m an occasionally keen amateur photographer and, as we’re planning to visit Mull after Easter, I thought it would be a good idea to buy myself a zoom lens. We’re mostly going for the birds of prey and I had dreams of getting the perfect shot of a sea eagle plucking a fish out from the water. I’d spent days scouring the internet and was on the verge of clicking the buy-it-now button when the bad news from the bank came through. Just for a moment, I was tempted to click anyway but the thought of having to explain to the kids why we had no food to eat held me back. They can be quite aggressive when they’re hungry.

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Lost Family Portraits: meeting Souraya’s family

Nana Anto-Awuakye is CAFOD’s World News Manager. She recently met families living in the Bekka refugee camp in Lebanon as part of CAFOD’s Lost Family Portaits project.

Nana with young refugee children
Nana playing with some of the young children at Bekka refugee camp

Last Christmas, various family members snapped away on their latest mobile phone cameras, and we all dutifully posed for the camera. I asked for the unflattering photos of me to be deleted, my sister refused saying, “It’s Christmas, and we are all together.”

Only a few weeks earlier I was in Lebanon’s Bekka valley, just nine kilometres from the Syrian border. I was working with our partner Caritas Lebanon Migrant Centre, the photographer Dario Mitidieri, and the creative agency M&C Saatchi to photograph family portraits of Syrian refugees inside some of the informal camp settlements in the Bekka.

See the Lost Family Portraits

Our arrival with the photography crew creates an air of excitement, as children run out from the labyrinth pathways in between the tented dwellings, as if the Pied Piper were calling them.

The camp leader, or ‘Chawish’ tells me: “Every family here has someone missing; they are either dead, kidnapped, or trapped.”

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