Olwen Maynard has been working on CAFOD’s Middle East Desk since 2006. Here, she looks back at what the generosity of CAFOD’s supporters made possible in the two years following the last major military offensive.
A cup of clean water
Gaza’s tap water is heavily contaminated and dangerous, but buying bottled water is expensive, and can mean having to cut down on food. CAFOD has been working since 2013 with Islamic Relief to provide Reverse Osmosis Units to poor women-headed families, so they can filter their water and make it safe for drinking and cooking. Over the two years since the 2014 airstrikes, which caused massive further damage to the water supply infrastructure, the project has been extended to another 220 families and also to 65 kindergartens, providing clean water for thousands of children, along with hygiene education to help them stay healthy.
Dario Mitidieri began his career as a professional photographer in 1987 working for The Sunday Telegraph and The Independent newspapers. In his long and illustrious career, he has travelled to Tiananmen Square in Beijing to witness the army repression of students. He has also photographed the conflict in Northern Ireland, the Iraq War, the 2005 Tsunami in Indonesia and the Kobe Earthquake in Japan. He recently travelled to the Bekaa valley, Lebanon, with CAFOD and creative agency M&C Saatchi where he worked on studio-styled portraits of twelve families who have fled the conflict in Syria.
It is early – just before eight, but winding through the steep hill side roads of Lebanon’s capital Beirut, there is a frenzy of building work: hotels and luxury apartments going up. This ancient, open city is alive.
Once we leave the concrete landscape behind us, the undulating hills of the Bekaa valley – Lebanon’s agricultural pulse and once the ‘breadbasket of the Roman Empire’ – come into view. Overnight there has been a first dusting of snow on the hills.
Just over the mountain ridge, some nine kilometres away is the border with Syria.
I’m heading to a Syrian refugee camp, with CAFOD and its partner, the Caritas Lebanon Migrant Centre.
Just before Christmas, I came together with CAFOD, the Caritas Lebanon Migrant Centre and the creative agency, M&C Saatchi, to work on a unique project to highlight the plight of Syrian refugees: Lost Family Portraits.